I wasn’t looking for anything revolutionary — just a better way to clean up my edits. I had heard whispers about the Luminar Brush inside Skylum’s Luminar Neo, but I didn’t pay much attention... until I realized how many clicks it was taking me in Lightroom just to dodge a single shadow.
So I downloaded the trial from Skylum’s official site, loaded one of my flat portraits, and stumbled onto something game-changing: the Brush Tool, tucked neatly under the Masking tab.
According to Skylum’s help guide, it lets you apply any enhancement — exposure, color, structure — only where you brush. It’s a selective editing dream, and I hadn’t even scratched the surface yet.
Once I understood what it was, the next question was obvious: how do I actually use it?
By Day 2, I was painting edits like a kid with a new set of crayons. Except this wasn’t some filter-heavy mobile app. This was real photo editing — with real control.
Here’s how I did it:
It was like using a simplified version of Photoshop’s layer masks, but without the headache. Every stroke felt intuitive. I didn’t need tutorials, but just in case, Skylum’s YouTube channel had a quick explainer ready.
With the basics down, I wanted to know: can I use this with Luminar’s AI tools too?
By Day 3, I had a question: could I use Luminar’s famous AI tools with the brush?
The answer? Absolutely yes — and that’s what makes it a secret weapon.
Let’s say I use Relight AI to fix backlighting on a face. I can brush the effect only onto the face and keep the rest untouched. Or I use Sky AI to replace the sky, then brush around trees to clean up any edges.
According to PetaPixel’s feature on Luminar Neo, these combinations are exactly what Skylum built Neo for: AI meets control.
That made me wonder — how does the brush perform on close-up work like portrait retouching?
Day 4 was portrait day, and the Luminar Brush earned its place.
I opened a shoot I’d almost thrown away: bad light, flat skin tones, and harsh shadows. Using the Brush Tool, I:
With just a few strokes, the image popped subtly. No over-edits. No fake plastic skin. Just control.
This is exactly what Skylum outlines in their Luminar AI portrait editing guide. And it works.
But it got me thinking: how does this compare to the masking tools I’ve used in Lightroom?
I’ve spent hundreds of hours in Lightroom. I love it. But by Day 5, I had to admit: Luminar’s brush tool is way faster when I need selective edits without jumping through hoops.
Here’s what I noticed:
This Fstoppers review confirmed my gut feeling: Luminar Neo's local tools offer "Photoshop-level control without the mess."
So the brush was winning... but was it equally powerful in both Luminar AI and Neo?
Yes, but Neo is the version you want.
Luminar AI has the brush tool, but no layers, no extensions, and no modular masking.
Luminar Neo, on the other hand, gives you:
As Skylum clearly lays out here, Neo is the future — and it shows.
With full access unlocked, I started experimenting with advanced techniques using AI + brush together.
Here’s a pro workflow I fell in love with:
Each brush stroke worked like a stylistic signature — fast, subtle, and clean.
And best of all? I didn’t need to download anything extra to make it work.
No, the Luminar Brush is built into Luminar AI and Neo — no plugins, packs, or separate installs.
Once you install the app from https://skylum.com/luminar-neo, it’s right there inside the Masking menu of every editing tool.
Now that I was experimenting more freely, I started discovering my favorite brush + effect combos.
Some brush-friendly tools that gave me beautiful results:
Each time, I could choose exactly where and how to apply the edit — something even Photoshop makes overly complex.
But the game changed even more when I discovered layered masking.
Yes — and this is where Luminar Neo felt more like Photoshop than I expected.
I tried a double exposure:
It looked surreal. Like art. And I did it in minutes.
Luminar’s Extensions library makes these layered workflows even stronger, especially if you’re blending bracketed images or compositing product shots.
Of course, to make everything look natural, I had to learn a few tricks with the brush.
Here are my go-to habits now:
Skylum’s manual covers these too — but it took some practice to really get the hang of it.
And with that, I knew I had a new essential tool in my workflow.
I never thought something as simple as a brush could change how I edit.
But the Luminar Brush did:
For beginners, it’s intuitive. For professionals, it’s fast. And for me, it’s now non-negotiable.
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